Salome marks the North American premiere of Sir David McVicar’s provocative production, set against the backdrop of 1930s fascist Italy. The demanding title role features Elena Stikhina in her eagerly ...
Across history, the opera has run afoul of censors for its brutality and nudity. The current production at the Lyric Opera of Chicago runs through Feb. 14.
Almost everyone in Salome wants something they shouldn’t. A king desires his stepdaughter, a servant desires a princess and a princess desires a prisoner with equal parts fascination and repulsion. We ...
The new production in Wrocław looks nothing like what you think opera looks like. Let me explain — and I promise that by the end of this text, you’ll be buying a ticket. 1. Not drawn to the classical ...
Performances in N.Y.C. Advertisement Supported by Critic’s Pick In his company debut, the director Claus Guth takes a psychological approach, surrounding the title character with six versions of her ...
Director Claus Guth’s production of Salome at the Metropolitan Opera is heavily laden with psychoanalytic symbols. King Herod’s titular stepdaughter, dressed in a Victorian-era children’s dress ...
Across the centuries, the story of Salome has been staged, scored, adapted, pushed and pulled in a welter of ways, always finding new ways to shock. On Sunday, the curtain went up on Richard Strauss’s ...
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